Click here for a short video describing the PHLUX-II.
The miniature impedance-converter which buffers the moving-magnet motor is supplied power via the signal wires, in much the same way a capacitor microphone is supplied with phantom power. By this means, the PHLUX-II may be fitted to any turntable and arm combination without modifications to the wiring.
The Phædrus Audio PHLUX-II active phono cartridge is excellent in any application. However, it was specifically developed for Pspatial Audio's Stereo Lab needle-drop capture and equalisation software; a partnership which delivers reproduction of unparalleled accuracy.
As you can see in the specification below and at Pspatial Audio's Stereo Lab PHLUX-II correction page, a combination of PHLUX-II and Stereo Lab delivers a frequency response accuracy better than 1dB overall variation over the whole audio band.
A technical article on the benefits of active cartridge technology is given below as well as applications information for those wishing to use the PHLUX-II.
The PHLUX-II phono cartridge is supported by the Phædrus Audio GROOVE SLEUTH non-equalising preamplifier..
The PHLUX-II is supplied with an adaptor board manufactured by Phædrus Audio.
The PHLUX-II cartridge is supported by the Open Source Hardware project PHLO-II.
For unequalised needle-drop recordings, the PHLUX-II may be fed directly to sound-card microphone inputs using the PHLUXOPHONE.
You can download the PHLUX-II manual here.
A few audio samples of the PHLUX-II compared with other cartridges is available here.
† JVC TRS-1007 lateral; includes variation due to wavelength loss on inner grooves.
* CBS STR-112
Note that the PHLUX active cartridge is the subject of UK Patent application GB1517805.6
The advantage of the greater output signal voltage from the moving magnet pickup is offset by the nature of the source impedance which rises with frequency. This creates a number of practical problems.
Firstly, the cartridge must be terminated with a resistance some 500 to 1000 times greater than the termination of the moving coil type or the high frequency response is unacceptably attenuated. As frequency increases, the increasing reactance of the cartridge fails to damp the electronic noise due to these high termination resistances, and this sets a lower bound on the noise performance of the moving magnet cartridge to a level where the electrical noise is not so far below that of the analogue medium that it may be said to be insignificant.
Secondly, the capacitance of the connecting cables interacts with the cartridge to produce a resonant network with a frequency response peak in the audio-band where the impedance of the pickup inductance and cable capacitance are equal and opposite.
Thirdly, the higher impedances of the moving magnet pickup circuit compromise stereo performance due to crosstalk between the right and left signals in the unscreened wires of the cartridge and tonearm.
All the disadvantages of the moving magnet pickup may be eliminated by means of a lightweight, electronic amplifier close to, or inside the pickup; power to which is provided via the signal wires. This amplifier:
In fact, it is possible to secure an electrical performance from the moving magnet type pickup which approaches or surpasses the moving coil type and combine these virtues with the lower cost, better tracking of the moving magnet pickup.
The wideband, RMS noise-voltage, measured with an AC voltmeter post-RIAA equalisation with the active circuit is 8dB below the noise of the standard moving-magnet arrangement. The figures below illustrate the spectrum of the noise post RIAA equalisation. Listening tests confirm that, once the tonearm is removed from the record there is no perceptible noise from the loudspeakers; just as with a moving coil cartridge.
Residual noise (tonearm parked) standard moving magnet cartridge: 24 bit recording. With 0dBFS calibrated to 50cm/s, the 16 bit noise floor is indicated. This analysis is post RIAA equalisation.
Residual noise (tonearm parked) moving magnet cartridge with lightweight amplifier in circuit: 24 bit recording. With 0dBFS calibrated to 50cm/s, the 16 bit noise floor is indicated. This analysis is post RIAA equalisation.
Listening tests also reveal that gone too is any hint of the "splashy" top-end often associated with the moving magnet cartridge. Measurements confirm the frequency response dependence on capacitive loading is entirely eliminated when the lightweight amplifier is fitted. The familiar "hump" in the frequency response of a moving magnet cartridge is removed. Predictions from the SPICE model in the first figure below are confirmed by the measurements illustrated below that.
Theoretical prediction of response modification due to "activation" of the MM cartridge
Measured response modification (red traces - standard arrangement: black traces - with lightweight amplifier fitted)
And, because there is no LC "filter circuit" to degrade high-frequency group-delay, the result is transient handling which compares with a moving coil type.
Phase response of standard and active MM compared
The biggest surprise noted in the listening tests was the alteration of the stereo image which was radically improved with the impedance converter fitted. Measurements on the AT95E show that inter-channel crosstalk improves by >6dB over a sizeable portion of the audio band with the amplifier fitted.
Response and crosstalk standard MM cartridge (pink noise tracks spectrally "whitened" prior to analysis)
Response and crosstalk in MM cartridge fitted with lightweight amplifier (pink noise tracks spectrally "whitened" prior to analysis)
The illustrations above also show that the measured frequency response when only one channel is driven is also greatly improved with the lightweight amplifier present and remains essentially flat, rather than rolling off by about 12dB at 20kHz which the AT cartridge demonstrates under standard conditions. In other words, the frequency spectrum of an element in the mix remains constant irrespective of its position in the stereo image. It is probably this which accounts for the remarkable transformation of the stereo image with the lightweight amplifier fitted.
In short, the sound quality of a standard moving magnet cartridge is transformed when the lightweight amplifier is fitted. All the virtues associated with a moving coil type are secured whilst retaining the significant advantages of the moving magnet type: lower cost and often better tracking due to the very lightweight motor mechanism. Listening tests made with other, much more expensive, moving-coil cartridges were not preferred to those made with the PHLUX-II cartridge.
The PHLUX-II phono cartridge is supported by both the Phædrus Audio PHONO preamplifier and the GROOVE SLEUTH non-equalising preamplifier..
A very simple and low-cost "one-stop-shop" solution to use the PHLUX-II with any pre-existing hi-fi system is the PHLUX-II ADAPTOR.
Phædrus Audio has also created the PHLO-IIa hardware supprt and buffer design for PHLUX-II made available under the terms of the CERN OHL v.1.2 open-source hardware licence.
Otherwise, supporting the PHLUX-II is relatively simple and virtually all phono preamplifiers may be modified easily to supply adequate power for the cartridge which only consumes a minute 0.6mW. A typical circuit is illustrated below.
Power to the PHLUX-II is supplied from rail Vp via resistor Rp. Vp must be +9V or greater and the value of Rp is calculated with the equation,
Rp = ( Vp - 3.5 ) / 0.08
Where Vp is in volts and the result is directly in kilohoms. Thus, for example, if Vp is +9V, Rp will be 68kΩ.
Note that the standard values of 47k and approximately 220p for Rt and Ct respectively are not ideal. It is better if Rt is as high as possible (commensurate with providing adequate bias to the amplifier). The presence of Ct in this circuit is not ideal as it simply serves to reduce the stability margin of the impedance-converter circuit and it is better removed.
Also note that the signal sits on a bias of approximately +3.5V which may affect the choice, and possibly the polarity, of C1.
A practical design is given below in which the phono preamplifer may be selected to be in standard moving-magnet mode or PHLUX-II mode by moving a link.
The PHLUX-II ADAPTOR is available as a low-cost solution to get you "up and running" quickly with a PHLUX-II cartridge. A complete PCB product (built and tested) it provides the necessary power to the active cartridge and the on-going signal to any, standard phono preamplfier. Gold-plated phono connections are available to the turntable and preamplifier.
The low-noise power for the cartridge is provided by a PP3, 9V battery (not supplied). The card has a simple, slide on-switch and the current drain is so minimal that a single battery should provide many months (even years) of service.
Once the cable connections are made, the circuit board operates at a low-impedance point in the circuits and is thus quite tolerant of placement. For the best noise and hum performance, the board is provided with fixing holes (both on the board and on the phono connector mountings) and so may easily be fitted in a small, screened enclosure as a permanent fixture.
The PHLUX-II ADAPTOR is available at minimal cost, see pricelist.
An alternative approach to a non-equalising preamplifier when using the PHLUX-II for needle-drops is to use a microphone preamp. Often external sound cards offer two or more high-quality microphone preamplifiers. These have low-noise and enough gain to make excellent recordings from the PHLUX, but they suffer from two disadvantages:
Happily, these two drawbacks complement each other so that microphone amplifiers may be used provided a simple adaptor is arranged between the microphone XLR input and the RCA phono connection to the turntable. This adaptor increases the drive to the buffer amplifier so that the low input impedance may be driven comfortably and with very little distortion.
The adaptor circuit is given (left). It's so simple that, with care, all the components may be fitted inside the body of the XLR connector. In our case, we chose to glue an RCA phono socket to the top of the XLR plug cable strain-relief, thereby creating a stand-alone, self-powered adaptor with the turntable plugging into the phono socket and the XLR plugging into the sound-card microphone inputs (as shown above).
Results using this adaptor are very good. Microphone inputs usually have more than sufficient sensitivity for the PHLUX-II and they are engineered for very low noise.
With recording levels set so that standard recording level of 3.54cm/s (single-channel) indicates -18dBFS after A to D conversion, RMS wideband noise registers -75dBFS in an RIAA corrected, 96kHz needle-drop file with the PHLUX-II energised and the tonearm parked. This is some 9dB above the noise level due to the microphone preamplifier alone, demonstrating that the microphone amplifiers are more than up to the task*.
The spectrum of this noise is heavily influenced by the RIAA equalisation, so that the figure falls to -93.5dBFS if A-weighting is applied. Perceptively, the noise is very low and the headroom more than adequate with THD (voltage input equivalent to the to maximum groove deviation applied to the PHLUX-II buffer) of 0.03% at 1kHz.
*Tests made with the Focusrite Scarlett 2i2.
The PHLUX-II Libre is the version of the PHLUX-II for historic recordings.
Mono (0.001") or 78RPM (0.003") styli can be fitted.
See pricelist for details of order code for PHLUX-II Libre.
A few audio examples of the PHLUX-II compared with other MM and MC cartridges in a similar price range.
Example 1 - Standard (European) MM cartridge first, second the PHLUX-II
Example 2 - Standard (American) MM cartridge first, second the PHLUX-II
Example 3 - Standard (Japanese) MC cartridge first, second the PHLUX-II
Here are three further examples to download. These are FLAC only. The recording is of the Philharmonia Orchestra under Kurtz of Prokofiev's ballet music Romeo & Juliet recorded in Abbey Road in 1964.
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