Phono-cartridge alignment protractor

The Phædrus Audio alignment protractor is a useful tool for any turntable owner, allowing the cartridge to be correctly placed in the headshell of the tonearm irrespective of make or combination of equipment. Incorrect alignment causes distortion as explained on this page.

The Phædrus Audio alignment protractor is a universal tool which allows the choice of Löfgren (Baerwald) alignment or Stevenson alignment. It also offers a universal scale for checking tracking error over the entire disc surface and for checking tracking error for 7-inch records.

It further includes a unique, and simple means of calculating the dimensions for correct alignment.


All modern tonearms are arranged so that the stylus swings beyond the distance between the turntable spindle and the tonearm pivot point This is called the overhang of the tonearm. In addition, the headshell (to which the cartridge is attached) is cranked at an angle relative to the tonearm axis as defined at the line between the pivot and the stylus. This is known as the offset angle of the tonearm.

By these two means, tracking error is arranged to swing either side of zero as the tonearm moves across the surface of a record with the tracking error being zero at two, precise radiï. By defining the points at which the tracking error is zero (referred to as null-points), a condition of minimum average distortion may be obtained across the entire playing surface. That is the role of the alignment protractor.

Free Download

The Phædrus Audio Phono-cartridge alignment protractor is available free from Phaedrus Audio. Just click on the protractor icon below for an automatic email to be generated. When we receive the email, we will send you a high resolution .pdf file copy of the alignment gauge by return.

Once printed and the dimensions checked with a ruler to ensure that no scaling has taken place in the printing process, the Phædrus Audio alignment gauge should be trimmed (as indicated) and fitted over the turntable spindle. A hole of 7mm must be punched or carefully made with multiple pricks of a pin around the circumference.

The null points - where tracking angle errors should be zero - coincide with the radiï where the longintudinal axis of the cartridge lines up exactly with the tangential grid lines of the protractor as shown below.


Null points are indicated for the most common (Löfgren/Baerwald) alignment at the 3 o'clock position on the alignment gauge. This solution was derived by Löfgren in 1938 and derives a solution for minimal average distortion over the playing surface of the record¹. The solution was disseminated in the English speaking world by Baerwald a few years later, in 1941².

The cartridge should be fixed in the tonearm headshell, but with the fixing bolts loosened. It is most convenient to place the cartridge so that its fixing bolts are in the middle of the travel permitted by the slots in the headshell. Position the stylus so that it sits at the target of the inner Löfgren/Baerwald grid-box. By twisting the cartridge, it should be aligned so that the sides (and front) of the cartridge best align with the lines of the grid-box. Here you are adjusting the offset angle of the stylus (β) relative to the tonearm axis.

The tonearm should then be positioned so that the stylus sits in the target of the outer grid-box. By shuffling the cartridge forward or backwards (trying not to change its angle) alignment should be adjusted to give the best parallelism with the tangential lines in the outer box. Here you are adjusting the effective length of the tonearm (L) or its "overhang" (D).

By iterative adjustment, alternating between the inner and outer grid-boxes, and using gradually smaller and smaller refinements of angle and overhang, it should be possible to accomplish good parallelism between the cartridge body and the grid-box lines at both positions. (If it isn't, it may be that the tonearm has been incorrectly installed.) Once the best alignment has been found, the cartridge fixing bolts should be tightened carefully; taking care not to move the cartridge relative to the headshell in the process.

The alignment gauge will need to be rotated back and forth as the iterative adjustments are made. DO NOT rotate the turntable with the stylus resting on the protractor (especially anticlockwise). Our advice is to keep the preamp' volume up a little way. This will reveal - and discourage - any tendency to scrape the stylus against the protractor.


The only real alternative to Löfgren/Baerwald is the alignment of Stevenson³. The two null points for this alignment are also available on the protractor (at the one and two o'clock positions). The same iterative procedure is used to accomplish this more modern alignment.

Stevenson took a different approach to Löfgren (or Baerwald), who had argued for an alignment which caused the minimum average distortion over the whole playing surface. Stevenson pointed out that all other distortion mechanisms worsen as the stylus approaches the innermost groove. Since in lateral tracking distortion we have a mechanism which may be minimised at the innermost radius, that is the approach we could take.

It's a good argument. Many of the other distortion mechanisms in cutting and reproducing records weren't understood in Löfgren's day. And remember that, to Löfgren and Baerwald, the word record meant a lateral-cut, shellac-slate "78" with no deëmphasis: whereas, to Stevenson, a record was a PVC copolymer, RIAA equalised, stereo LP. Löfgren was writing a sparse ten years after the invention of electric recording, nearly 30 years would pass before Stevenson's analysis.

Löfgren/Baerwald (58mm inner radius)

The equations of Löfgren, Baerwald and Stevenson are sensitive to the values ascribed to the maximum and minimum radius of the outermost and innermost groove spiral. Sadly, the question on which values to attribute to these dimensions is not answered by international standards; especially in the case of the innermost groove spiral.

For the two alignments indicated above on the Phædrus Audio alignment gauge, the innermost radius is taken to be 60.3mm which is a value adopted by Amercan manufacturers (RIAA Bulletin No, E4 - 1963). This is really the only standard we have.

Other standards organisations seem to have had different ideas. British Standard (BS1928-1965) fails to specify any inner radius limit. German standard (DIN45547-1981) and the Japanese industrial standard (JIS S8502-1973) specified a minimum recorded radius closer to 58mm. These differences of opinion led to an international standard (IEC98-1987 or IEC 60098) based on the harmonisation of national standards in which no inner radius limit was specified at all!

With this paucity of standardisation, any decision as to the value of the minimum radius is subjective. How many European or Japanese records do you have? How many American? Some have argued that it is safer to take the smaller radius of 58mm as this more nearly reflects "international" conventions. And some have even taken the considerable trouble to measure their record collections to derive a value6. But the facts remain that geography, repertoire and pure chance will inevitably affect the resulting value. Hence our decision to opt for 60.3mm as the standard value.

Nevertheless, we feel we ought to be able to help vinylistas who want to adopt a Löfgren/Baerwald alignment based on a 58mm inner radius for which reasonable arguments have been advanced6. To this end, the Mk. II Phædrus Audio alignment gauge includes alignment targets for Löfgren/ Baerwald 64:120. These (green) targets are part of the universal protractor at the 4 o'clock position of the gauge. The inner point is also repeated at the 10 o'clock position because parallelism is a bit difficult to judge so close to the edge of the universal scale.

Checking alignments

The remainder of the protractor is not directly for alignment: instead it is used to measure and verify alignments accomplished using the solutions described above.

The complex grid at the four o'clock position comprises a set of tangential lines on 1mm spacing and a group of 11 radial lines, each one degree apart. The zero line and the ±2° radials are highlighted. With any of the alignments chosen, tangential angle-error should not exceed ≈2½° over the whole of the radius of the disc.

At 12 o'clock, there is an alignment grid-box at the radius of the innermost groove of a standard 7" record (a "single"). Check to see how non-parallel the cartridge is to the grid-box at this point. This grid-box should not be used for alignment. It is for information only. But it may reveal significant error.

Because distortion rises quite sharply after the innermost null point in either alignment, and because the inner groove of 7" record is significantly nearer the spindle than on a 12" record, if you want to play a lot of 45 RPM singles, you would be better to choose the Stevenson alignment.

The alignment gauge also includes the arc prescribed by a correctly aligned cartridge on the standard Technics SL-1200 Mk. 2 turntable simply because this turntable is so ubiquitous. Interestingly for such a popular-to-the-point-of-iconic turntable, the alignment recommended by Technics is Stevenson.


The box at the bottom left of the adjustment gauge contains simple equations for calculation of overhang (D) and for offset angle (β) if the effective length (L) of the tonearm is known. These expressions are derived from Bauer4 with the corrections suggested by Seagrave5 and from Stevenson³.

Bauer & Seagrave's calculation of D is approximate, but is so close to Löfgren/Baerwald's figures that the inaccuracy is practically irrelevant. The value of d should be calculated first and this value substituted in the equation for D.

Stevenson's equations are exact for the given inner and outer radiï. All calculations are based on the RIAA standard of 60.3mm inner radius.

Notes and References

1. Über die nichtlineare Verzerrung bei der Wiedergabe von Schallplatten infolge Winkelabweichungen des Abtastorgans. (in German) Löfgren, E. Akustische Zeitschrift, Vol.3, November 1938.

2. Analytical Treatment of Tracking Error and Notes on Optimal Pickup Design. Baerwald, H. G., Journal of the Society of Motion Picture Engineers, XXXVII. Dec., 1941. (Löfgren offered a complete solution several years before the Baerwald paper. There is some discussion that, in disseminating the earlier work, Baerwald never properly credited Löfgren.)

3. Pickup Arm Design. Stevenson, J.K., Wireless World May, June 1966

4. Tracking Angle in Phonograph Pickups. Bauer, B.B. Electronics March 1945

5. Seagrave, J.D., "Minimising Pickup Tracking Error", Audiocraft Magazine, Part 1, December 1956, pg. 19; Part 2, January 1957, pg. 25; Sequel, August 1957, pg. 22.

6. Arc Angles: Optimizing Tonearm Geometry. Howard K. Stereophile magazine March 2010.


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